MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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MARY CONWAY is gripped by a hilarious and erudite new play that dramatises the making of the alliance that defeated fascism
FAIR MINDED PORTRAYAL: Peter Forbes as Joseph Stalin in Churchill in Moscow
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Churchill in Moscow
Orange Tree Theatre, London
CHURCHILL IN MOSCOW, which premieres at the Orange Tree Richmond, is already a highlight of the theatrical year and a must-see.
For a start it’s by Howard Brenton – he whose powerful political voice has kept us on our toes for 60 years. Secondly, though historical, it illuminates for us the current world. Next, it takes the fruits of serious research and transforms them into deeply character-driven, joyful theatre, directed by the inimitable Tom Littler. And lastly, Roger Allam and Peter Forbes are sensational as the leads.
Winston Churchill spent three days with Joseph Stalin in Moscow in August 1942. It was the height of World War II when the world leaders saw, in a blinding flash, that they must combine forces or Hitler would win.
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