MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
Latest editorial
Reel concerns at Cannes Film Festival
AB Shawky's Yomeddine sees a pair of outcasts flee a leper colony and an orphanage in a captivating portrait of modern Egypt
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
WITH less emphasis on glamour and red carpet, Cannes got off to an unusually strong start with one of the most substantial opening films in years.
Asghar Farhadi’s Everybody Knows is a tense Spanish-language kidnapping drama starring Penelope Cruz and Javier Bardem in which Laura (Cruz) returns to Spain to attend her sister’s wedding in a rural community where everyone’s lives are intermingled in innumerable ways.
The nuptials, involving the whole village, are suddenly plunged into darker territory when, during a power cut, Laura’s daughter is kidnapped and the repercussions are intriguingly tangled.
More from this author
RITA DI SANTO speaks to Laura Carreira about her study of workers in an Amazon warehouse, On Falling
In the second of a two-part report RITA DI SANTO speaks to Palestinian film-maker Mohammed Almughanni
RITA DI SANTO casts an eye over the winners - and the overlooked films - from this year’s festival
RITA DI SANTO assesses the political reaction to Francis Coppola’s epic, self-funded depiction of the decline of the US empire
