Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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A proud and modest jazz revolutionary
Chris Searle speaks to saxophonist PHIL HARGREAVES about his new album PI, and his long-standing support for the WMA
Phil Hargreaves
[Richard Harrison]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
AN OUTSTANDINGLY original saxophonist and improviser is Phil Hargreaves, whose new album Pi with vocalist Maggie Nicols (together they are Siapiau), is living and timbral proof of that.
He is also a vice-president of the Workers’ Music Association, so music is only one expression of his love of freedom, although as he says: “the beauty of improvisation is, that at its best, it creates something perfectly fitted to the moment it was created.”
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