WILL STONE fact-checks the colourful life of Ozzy Osbourne

Postwar Modern: New Art in Britain, 1945-1965.
Barbican
IF Jane Alison does little else in her career, she can look back on this lovingly curated show with pride.
Head of visual arts at London’s Barbican Centre, Alison has been in the job for nearly nine years; this exhibition has been two and a half in planning and execution. There are 48 artists represented, and some 200 works including painting, photography, sculpture and installations.
The curtain-raiser is John Latham’s Full Stop, a monumental piece with its giant black disk. A planet, black hole, an eclipse? One edge gives way to dots emerging — this full stop may not represent an ending, after all.

Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports

This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH

LYNNE WALSH previews the Bristol Radical History Conference this weekend
