To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Latest editorial
Poetry of praise and protest
RUTH AYLETT recommends a new collection that is direct and open to all, both conversational and radical
Jackie Kay MBE, Chancellor of the University of Salford, April 29 2015
[University of Salford Press Office/CC]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
May Day
By Jackie Kay, Picador
£10.99
Jackie Kay has been a leading British poet for a good 30 years and she was Scotland’s Makar (poet laureate) from 2016-21. Her poetry is direct and open to all, and her voice is distinctive: both conversational and radical.
May Day is her latest collection. Its title has two meanings, represented by two poems, one called MayDay, and the other May Day. The first is a signal of distress at the recent deaths of her parents, while the second is a celebration of their activist lives as committed socialists and trade unionists, including many years in the British Communist Party.
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