MICHAL BONCZA and MARIA DUARTE review 2000 Meters to Andriivka, Savages, The Legend of Ochi, and The Naked Gun
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Pertinent politics in consummate jazz outing from Soweto Kinch
Soweto Kinch performs in Manchester in 2012
[Jake/Creative Commons] 
GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy
DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
STEVE JOHNSON speaks to DJ and singer/songwriter Mark Radcliffe
JAMES WALSH takes advantage of an evening of comedy snippets to pick out which clowns will make it in Edinburgh
MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity
Soweto Kinch Trio
Ronnie Scott's, London
SOWETO KINCH is in prime fettle during this Ronnie Scott's gig, with the searing narratives of his alto saxophone enhanced by the intensity of the sound — matured since I last saw him a few years ago — here underpinned by Will Glaser's crackling drums and the earthen vibrato of Nick Jurd's pulsating bass.
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