To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Patti Cake$ (15)
Directed by Geremy Jasper
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PATRICIA DOMBROWWSKI — known as both Killer P and, because of her size, “Dumbo” — is overweight and under-appreciated.
She loathes her humdrum life in the run-down New Jersey suburban home where she lives with her wheelchair-bound grandmother and bitter, bossy mother.
Working in a second-rate bar, she dreams of becoming a rap star and, in concert with pharmacist friend Jheri (Siddarth Dhanajay), oddball musician Basterd (Mamoudou Athie) and loving grandmother (Cathy Moriarty), she sets out to achieve her ambition.
This unexpectedly enchanting coming-of-age saga is a long-time favourite Hollwood trope, notably in those Technicolor fairy tales in the Golden Age of MGM musicals about youngsters — often Judy Garland and Mickey Rooney — who achieve stardom.
This debut by writer-director Geremy Jasper brilliantly transforms what could have been simply a standard showbiz story into a witty, enchanting and sharply characterised gem — Dombrowski is played to perfection by Danielle Macdonald — that is both funny and moving.
Profanity alert, though. The dialogue is, appropriately enough given its subject matter, peppered with what’s probably a record use of “motherfucker.”
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG


