MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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No love lost in this old v new Labour slug-fest
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
THIS latest play from political playwright James Graham plots the career of Labour MP David Lyons.
An entertaining romp through Labour’s recent history, it highlights the party’s difficulties through the lens of one constituency office in Nottingham where Lyons (Martin Freeman), supported by his corporate lawyer wife Elizabeth (Rachael Stirling), has been in office since 1990.
Set throughout in the office, it opens as he is about to lose the previously safe seat in last June’s election. A ruminating Lyons pictures himself becoming the Michael Portillo or Ed Balls of election night and declares that he’d better polish up his paso doble.
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