GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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New Scrooge, same old cause
PAUL DONOVAN applauds the dogged determination of the Old Vic to stage Dickens’s classic Christmas moral tale in support of Waterloo food bank
NOTHING TO LOSE BUT CHAINS: Scrooge (John Simm) confronts his erstwhile worker Marley (Mark Goldthorp)
[Manuel Harlan]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
A Christmas Carol
Old Vic, London
THE annual celebration of Charles Dickens’s A Christmas Carol at the Old Vic did not disappoint: it is an explosion of energy from an excellent cast, anchored by the outstanding John Simm playing Scrooge.
This is the eighth year that the Old Vic has performed A Christmas Carol, making it a real festive curtain raiser for the many who attend. The play represents Christmas writ big, celebration and joy, yet also a very moral story of one man’s redemption.
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