ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Latest editorial
Neu Reekie, Leytonstone Ballroom, London
Ultimately rewarding mixed bag of spoken-word, music and film from an innovative Edinburgh ensemble
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
FORMED in Edinburgh in 2011, Neu Reekie is a loose collective of poets, artists, film-makers and musicians brought together on occasion by two Scots, poet Michael Pedersen and the writer and publisher Kevin Williamson.
Animating the human condition: Who I Am and What I Want
On a foray down south to the wondrous, fossilised venue that is Leytonstone Ballroom, a smattering of Scottish spoken-word presentations are on offer, most notably from Harry Josephine Giles, whose selection of poems, all with the same title of Abolish the Police, turn out to be the most interesting contribution of the night.
Similar stories
RUTH AYLETT recommends that this mixture of memoir, diary and poetry by a young Gazan writer be read as widely as possible
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
JOHN GREEN, ANDY HEDGECOCK and MARIA DUARTE review Holloway, The Last Journey, Red Path and Elio
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents