To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Muted mood music from Goldfrapp
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Goldfrapp
O2 Academy, Leeds/Touring
SUBDUED isn’t usually a word associated with Goldfrapp.
Previous tours have seen Alison Goldfrapp – who together with Will Gregory forms the London band’s nucleus – play a theremin with her crotch while surrounded by an array of bestial-looking dancers.
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