Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Monster treat for children of all ages
SIMON PARSONS sees an excellent stage version of a classic book
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
A Monster Calls
Old Vic, London
PATRICK NESS’S award-winning children’s novel about 13-year-old Conor, who comes to terms with his mother’s terminal cancer through the creation of a fantasy monster, is powerfully emotive material. Following in the wake of a visually spectacular 2016 film, any theatre adaptation is faced with a challenge and it's one that this production certainly meets.
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MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere
WILL STONE is intrigued, and a little baffled by a strangely unique telling of the classic Sophocles play
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
PAUL DONOVAN applauds the dogged determination of the Old Vic to stage Dickens’s classic Christmas moral tale in support of Waterloo food bank