Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Missing the Kew
PETER MASON is unimpressed by an unsubtle production that disregards its woodland setting
KEW JUMPING: Fairies in Theatre on Kew's production of Midsummer Night's Dream
[Zac Cooke]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
A Midsummer Night's Dream
Theatre on Kew, Kew gardens, London
LOVELY setting, less lovely production.
With stepladder platforms on stage and maintenance trucks as props, not nearly enough is made of the verdant surrounds of Kew Gardens, and even less of its evening-time botanical atmosphere, which should perfectly suit this fairyland comedy.
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SIMON PARSONS questions whether a dark take on Shakespeare’s Seasonal comedy is in harmony with the original text
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book
PETER MASON reckons the NYT’s production of Shakespeare’s comedy is the pick of the Christmas shows on offer in London