MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
Miners’ strike drama hits the wrong notes
DAVID NICHOLSON is disappointed that an ambitious telling of the strike from a Welsh perspective disregards the collective struggle
Odyssey '84 at the Sherman Theatre.
[Mark Douet] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
ODYSSEY ’84
Sherman Theatre, Cardiff
PLAYRIGHT Tim Price’s ambitious retelling of the South Wales miners’ contribution to the heroic but doomed year-long strike against pit closures in the mid-1980s is clever, warm and oddly repulsive in its individualism.
Fresh from his success with his play Nye about Bevan and his creation of the NHS, Price has turned his attention to another labour movement epic, weaving the story of the South Wales miners’ part in the strike based on the Greek tale of Homer’s The Odyssey.
The device works well in parts, showing the journey of Rhodri Meilir’s reluctant striker John O’Donnell from a nervous public speaker to travelling the world collecting money for the strike.
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