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King Lear
Duke of York’s Theatre
London WC 2
★★★★
HOWEVER many times I see King Lear, my first instinct is always to marvel yet again at the wild and fearless excesses of the original play.
It takes us right to the sharp end of human life where power crumbles to nothing, where the blind lead the blind, where folly rules and where the Fool — a creature of oblique instincts, waywardness and caprice — stumbles on essential truths that seem somehow off limits to the reasoned mind.
It’s a powerhouse of imagination and an unparalleled penetration of the human condition in a godless and structure-less world.

MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play

MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow