ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Jack and the Beanstalk
Lawrence Batley Theatre, Huddersfield
PANTOMIMES are the first time that many children get to experience the magic of the theatre and, based on the level of joyful interaction during Joyce Branagh’s version of Jack And The Beanstalk, it won’t be the last time for those present.
It's loosely based on the fairytale of a boy who sells the family cow in exchange for a bag of magic beans and there's enough well-timed slapstick and topical gags to make it rise above the purely formulaic.
Mark Walters’s framed set design resembles a giant children’s storybook with its bold colours and lashings of glitter. Yet even this is outshone by the costumes of Dame Dorothy Trott (Robin Simpson) which become increasingly absurd and disconnected to the plot — at one point, he's dressed as a cross between a Swiss army knife and medieval knight.
DAVID NICHOLSON recommends the staging of this Wagnerian classic minus one or two insignificant quibbles
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US



