Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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Locating liberation
JOHN BUTCHER tells Chris Searle why he and Joe McPhee went into the Texan desert to create one of the most free-form jazz recordings ever
John Butcher
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
IMAGINE if you can a more surprising recording location than that chosen by virtuoso saxophonists John Butcher and Joe McPhee back in April 2010.
Unaccompanied, and under the huge skies of the rock-strewn and treeless Chihuahuan desert in Texas, they played standing and walking on the cruciform shale walkways and inside the giant steel doors of the four buildings full of sculptural works by New York artist and architect James Magee, ex-denizen of a New York City junkyard.
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