To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
HUMAN RIGHTS organisations estimate that in 2022 there were at least 4,050 femicides in 26 countries in Latin America and the Caribbean. In Mexico alone, at least two women die per day as victims of femicide, making the situation even more dire.
Femicide is defined as the most extreme form of gender-based violence and is the “intentional killing of women because they are women,” “committed by partners or ex-partners, and involving ongoing domestic abuse, threats or intimidation, sexual violence or situations in which women have less power or fewer resources than their partners,” according to the World Health Organisation.
Liliana’s Invincible Summer (Bloomsbury, £10.99) by Mexican writer Cristina Rivera Garza, a deserving winner of a recent Pulitzer Prize, explores the killing of the author’s sister on July 16 1990 in Mexico City by an ex-boyfriend.
From post-human revolution in Puerto Rico to trans poetics and queer mythmaking, these three books that imagine new ways of being together
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
ANDY HEDGECOCK recommends that these beautifully written diaries from Gaza be essential reading for thick-skinned MPs


