MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

“ENERO REY, standing firm on the boat, stocky and beardless, swollen-bellied, legs astride, stares hard at the surface of the river and waits, revolver in hand.”
So begins Not a River (Charco Press, £11.99), Selva Almada’s third book in a loose trilogy that includes The Wind that Lays Waste and Brickmakers, all exploring issues of masculinity, the harsh life in the Parana Delta and the underlying forces of violence.
The book, beautifully translated by Annie McDermott and shortlisted for The Vargas Llosa Biennial Prize, evokes a place and a time that merges and meanders like the river itself. The story follows three men as they embark on a fishing trip under a baking sun. Along the way, one of the protagonists is haunted by the memory of a tragic accident that resurfaces like a bad dream. They encounter various rural characters who populate a world of daily tragedies, poverty and disappointments.

LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez

LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro

LEO BOIX salutes the revelation that British art has always had a queer pulse, long before the term became cultural currency

Novels by Cuban Carlos Manuel Alvarez and Argentinean Andres Tacsir, a political novella in verse by Uruguayan Mario Benedetti, and a trilogy of poetry books by Mexican cult poet Bruno Dario