To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Horrible Histories, Barmy Britain, Part 4
Apollo Theatre
London W1
Even at this early stage in the summer holidays there'll be many parents gratefully grabbing the boredom-busting lifeline of another Horrible Histories stage show for their kids.
Although tickets are hardly dirt cheap for this Apollo Theatre morning show (£20-£25 for most seats), they're not prohibitively expensive, either — especially for a West End venue — and for 70 minutes of delightfully distracting pleasure they certainly provide good value for money.
As always with the consistently excellent Horrible Histories brand there's a liberal helping of child-friendly bottom and fart jokes in this newly devised romp through the murkier regions of British life and times, from the death of the first Christian martyr, St Alban, through to a musical examination of the travails of Victorian night soil workers.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today


