Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
Latest editorial
Jazz albums with Chris Searle: March 22, 2024
Reviews of Max Eastley/Terry Day/John Butcher, Trevor Tomkins' Sextant, and Caroline Kraabel and Pat Thomas
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
Max Eastley/Terry Day/John Butcher
Angles of Enquiry
(Confront Recordings)
★★★★
MAX EASTLEY is a 79-year-old Devonian who plays the rare electro-acoustic monochord, a 10-foot-long wooden, single-stringed instrument played with fingers, bow or glass rods.
In a trio with percussionist Terry Day and saxophonist John Butcher, all through their album Angles of Enquiry his string whines, bounces, delves, clucks and menaces with low, bowed groans, harmonising with bird calls as his confreres combine with him, creating a soundscape of permanent surprise.
Eastley researches ”Aeolian Phenomena,” and it is a strange god of improvising winds that blows through the heart of this record, with a restless spirit of musical unity testifying in every assertive phrase.
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