Alvaro Uribe is found guilty of witness tampering and procedural fraud, reports NICK MACWILLIAM
‘Is this the real life? Is this just fantasy?’
MATT KERR ponders the seduction on offer from a turbo-trainer to the detriment of a road romance
The real McCoy
[Azanti/CC] 
On the anniversary of the implementation of the 1833 Slavery Abolition Act, ROGER McKENZIE warns that the legacy of black enslavement still looms in the Caribbean and beyond
Starmer’s decision to recognise Palestine only as long as Israel continues to massacre its inhabitants has been met with outrage, writes LINDA PENTZ GUNTER
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
RAMZY BAROUD explains why the world can no longer ignore Palestine
Starmer’s decision to suspend Diane Abbott yet again demonstrates a determination to maintain and propagate a hierarchy of racism, writes CLAUDIA WEBBE
MY LEGS fizzed, every last fibre twitching away, drowning in lactic acid. The breathing, slow, steady, deep. Hands resting on the bars, not moving, corners come and go, I’ve no idea how.
Was it Alpe d’Huez, or the Crow Road?
The front feels light, ready for take-off, but there’s no fight or flight in this union of flesh and steel. It knows where it’s going.
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MATT KERR charts his bike-riding odyssey in aid of the Royal Marsden charity and CWU Humanitarian Aid
As Gaza burns and politicians abandon ‘bairns not bombs’ slogans to embrace a war economy, MATT KERR exposes the real purpose behind Britain’s EU fishing agreement: accessing €150 billion in militarisation funds
The bard’s indefatigable knack for rhythm and rhyme tunes into the gloomy zeitgeist and comes out cheerful
Through hospital windows and news bulletins, personal loss opens a window onto the world’s wider suffering as the season, and the year itself, reminds us all why class solidarity matters now more than ever, writes MATT KERR