RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
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Instead of a thousand words
LYNNE WALSH’S choice are photographers prepared to focus on the outcomes of the politics of exclusion
(L to R) Juliette Pavy: Spiralkampagnen, 2024. An X-ray showing an IUD – more commonly known as a ‘spiral’ – used during the Greenlandic forced contraception campaign (Spiralkampagnen) from 1966 to 1975; Sebastiao Salgado: Ethiopia, 1984. Draped in blankets to keep out the cold morning wind, refugees wait outside Korem camp. Ethiopia.
[(L to R) © Juliette Pavy / © Sebastiao Salgado]
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
Sony World Photography Awards Exhibition
Somerset House
THIS is an eclectic showcase of talent, with a few hefty themes emerging, including mankind’s hand in the immolation of our beautiful planet.
Another thread, with some gut-punching images, is the ubiquitous violence against women and girls, and the soaring power of sisterhood, as female photojournalists focus on telling their sisters’ stories.
The star of the show, in many ways, is the amazing Brazilian photographer Sebastiao Salgado, recipient of this year’s Outstanding Contribution to Photography.
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