Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Ill-advised turn to heritage industry
The Unthanks at Castle Armoury Drill Hall, Bury, Greater Manchester, on 17 October 2015
[Robert Smith/Creative Commons]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Unthanks
Leeds Town Hall
BECKY Unthank is considering the parallels between her family and that of the Brontes. They’re sisters. They have bodies of work obsessed by melancholy and death. They have a lesser-known brother.
These similarities are sufficient to qualify the folk band to commemorate the 200th birthday of Emily, who wrote Wuthering Heights, with a song cycle based on a selection of her poems.
Commissioned by the Bronte Society, the Northumbrian outfit were invited to work and record in the Parsonage Museum in Haworth. Becky and sister Rachel used the time to walk across the moors, “pretending we were Kate Bush,” while composer Adrian McNally played Emily’s five-octave cabinet piano under the watchful eye of curators.
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