Robinson successfully defended his school from closure, fought for the unification of the teaching unions, mentored future trade union leaders and transformed teaching at the Marx Memorial Library, writes JOHN FOSTER
Holst: the socialist composer and his (accidental) patriotic smash hit
MAT COWARD unearths Gustav Holst’s radical roots, from meetings at William Morris’s house to pamphlet-printing and agitation with the Red Vicar of Thaxted — and laments that he is remembered today for the entirely wrong reason
MILITARIST ANTHEM:
I Vow to Thee, My Country is performed at the commissioning ceremony for the Royal Navy warship HMS Queen Elizabeth
A judge in a German court ruled that the ban activity imposed on renowned Dr Ghassan Abu-Sittah was unlawful, reports LEON WYSTRYCHOWSKI
At the very moment Britain faces poverty, housing and climate crises requiring radical solutions, the liberal press promotes ideologically narrow books while marginalising authors who offer the most accurate understanding of change, writes IAN SINCLAIR
From Gaza protest bans to proscribing Palestine Action, political elites are showing a crisis of confidence as they abandon Roy Jenkins’s apologetic approach for Suella Braverman’s aggressive ‘hate march’ rhetoric, writes PAUL DONOVAN
ANSELM ELDERGILL examines the legal case behind this weekend’s Tolpuddle Martyrs’ Festival and the lessons for today
Ben Chacko talks to RMT leader EDDIE DEMPSEY about how the key to fixing broken Britain lies in collective sectoral bargaining, restoring unions’ ability to take solidarity strike action and bringing about the much-vaunted ‘wave of insourcing’
The summer of 1950 saw Labour abandon further nationalisation while escalating Korean War spending from £2.3m to £4.7m, as the government meekly accepted capitalism’s licence and became Washington’s yes-man, writes JOHN ELLISON
LEADER of the Can’t Sing Choir, pioneer of musical education for women, close collaborator with the notorious Red Vicar of Thaxted, involuntary composer of I Vow to Thee, My Country, and composer of Britain’s most recorded piece of music ever, Gustavus von Holst was born in Cheltenham on September 21, into a family of musicians and music teachers.
In his teens, he was employed as an organist and choirmaster. Physical frailties forced him to abandon the piano and take up the trombone instead. Earnings from that financed his studies in composition.
Except for one or two brief sabbaticals, paid for by wealthy patrons, Holst never worked as a full-time composer. To the very end of his life, he taught music at private schools, and for much of it, he was variously a trombonist in orchestras and theatres, college lecturer, church organist and choir leader.
More from this author
MAT COWARD presents a peculiar cabbage that will only do its bodybuilding once the summer dies down
A heatwave, a crimewave, and weird bollocks in Aberdeen, Indiana horror, and the end of the American Dream
A corrupted chemist, a Hampstead homosexual and finely observed class-conflict at The Bohemia
Beet likes warmth, who doesn’t, so attention to detail is required if you’re to succeed, writes MAT COWARD
