Mask-off outbursts by Maga insiders and most strikingly, the destruction and reconstruction of the presidential seat, with a huge new $300m ballroom, means Trump isn’t planning to leave the White House when his term ends, writes LINDA PENTZ GUNTER
 
			IF you want to fill your speakers with sharp, loud and sometimes funny political rap-rock this Xmas, I suggest you buy as much Bob Vylan product as you can.
 
I’ll try to tell you how Bob Vylan sounds by pointing to the ways they are like some other bands in the political rock rap area, but comparisons only take you so far, because they are also very like themselves. The duo are made up of singer-guitarist Bobby Vylan and drummer, Bobbie Vylan.
This band-members-all-with- nearly-the-same-name-as-the-band is not their only atypical feature: when I caught the band in Southampton last month, lead singer Bobby Vylan announced “We will be starting this gig, like all our gigs, with a moment of yoga stretching and meditation, and you are welcome to join us” and preceded to do just that, to a low guitar hum.
It is a sign of how Bob Vylan isn’t afraid of being 100 per cent “right on,” but can also carry their “right on” views with good-natured humour as well as fierce anger.
 
Musically the band see themselves a mash-up of punk rock and grime-y rap. The punky guitar sound is of the hardcore, slightly metal-y kind — enough for them to play well at hard rock festivals like Download. The rapping and singing are full-on political, with slogan-y choruses backed by plenty of wordplay.
 
               Despite declining to show Kneecap’s set, the BBC broadcast Bob Vylan leading a ‘death to the IDF’ chant — and the resulting outrage has only amplified the very message the Establishment wanted silenced, writes LINDA PENTZ GUNTER
 
               MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
 
               How underground bands formed a vital part of the struggle against white supremacy

 
					 
               


