GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
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Hare-brained offering
TOM KING is distinctly unimpressed by a play on the Labour Party by a writer dubbed 'the premier political dramatist writing in English'
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
I’m Not Running
National Theatre, London
SIR David Hare must be tidying up — sorting the papers on which he’s scribbled various ideas and lines over the past few years and, in an effort to prevent his material going to waste, has decided to amalgamate them into a production for the National.
His play, directed by Neil Armfield, is about the Labour Party. Except it’s also about the political outsider, as well as the NHS, alcoholism, domestic violence, mental health, immigration and why there’s never been a female Labour prime minister. Female genital mutilation gets a look in too.
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