ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Trestle
Southwark Playhouse
London
THE SCENARIO of a man and a woman trapped by circumstance and the limitations they place upon themselves is the theme of the big London theatre hit of recent months, David Eldridge's Beginning at the National Theatre, and it bears many more similarities to Stewart Pringle's prize-winning debut play Trestle than just its one-word title.
In Eldridge's play, widower Harry (Gary Lilburn) carries out his retirement duties as chair of Billingham's Improvement Committee with diligence. But there's little excitement to be had. So, when the sparky yet blunt Denise (Connie Walker) turns up for her zumba class, his idle muscles start to reactivate and he even reluctantly dons his own exercise gear at one point.
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal



