With the death of Pope Francis, the world loses not only a church leader but also a moral compass
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A grim foreshadowing of Britain today?
David Lynch’s classic 1980 film The Elephant Man has some cruel parallels with Britain in 2025, argues STEPHEN ARNELL
David Lynch pictured in 2007
LYNNE WALSH previews the Bristol Radical History Conference this weekend
Keir Starmer’s £120 million to Sudan cannot cover the government’s complicity in the RSF genocide or atone for the long shadow of British colonialism and imperialism, writes CLAUDIA WEBBE
Join the traditional march from Clerkenwell Green, which will bring together countless international workers’ organisations in a statement against the far right
Ecuador’s election wasn’t free — and its people will pay the price under President Noboa
Mountains of research show that hardcore material harms children, yet there are still no simple measures in place
We face austerity, privatisation, and toxic influence. But we are growing, and cannot be beaten
A COUNTRY wreathed in pollution, the poor barely surviving, vicious “entertainment” designed to keep the plebs in their place, overwhelmed hospitals and a nation in thrall to a royal family of little obvious use, who continue to blithely exploit their subjects.
And across the pond, a US dominated by greedy, ruthless “robber barons.” To the east, Russia plans expansion, dreaming of ever greater empire.
Britain in 2025?
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After a ruinous run at Tolkien, the streaming platforms are moving on to Narnia — a naff mix of religious allegory, colonial attitudes, and thinly veiled prejudices that is beyond rescuing, writes STEPHEN ARNELL
STEPHEN ARNELL sees parallels between the US tech billionaire and HG Wells’s literary creation
Between Musk’s bizarre British power grab and Trump’s overtly corporate agenda, modern robber barons face a growing backlash — and history shows how determined leaders can tame ultra-rich excess, writes STEPHEN ARNELL
There is no denying Thomas Cromwell's positive and progressive impact on English politics, argues STEPHEN ARNELL
