To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Going over children’s heads
DAVID NICHOLSON is disappointed by a show that fails to engage its target audience
Mari Fflur as the Wolf and Grace O’Brien in the title role
[Mark Douet]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Little Red Riding Hood
Sherman Theatre, Cardiff
PUTTING on a Christmas production for 3-6-year-olds is a tough proposition especially when the story is iconic. But Cardiff’s Sherman Theatre has attempted it with director Alice Eklund’s Little Red Riding Hood production.
What is slightly hair-raising for the adults attending is leaving the little ones on mats set out on the floor with the grown-ups sitting behind them on chairs.
It works brilliantly with older children but as anybody who has tried to look after toddlers knows unless the performances are absolutely enthralling a certain amount of chasing around after bored children will ensue.
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