MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Film round-up: October 31, 2024
The Star's critic MARIA DUARTE reviews Anora, Super/Man: The Christopher Reeve Story, Blitz, and Heretic
LAS VEGAS HERE WE COME: Mark Eidelshtein and Mikey Madison, centre, in Anora (2024)
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Anora (18)
Directed by Sean Baker
★★★★
A WORTHY winner of this year’s Palme d’Or prize at Cannes, Sean Baker’s enthralling drama is a grittier take on Pretty Woman with a Russian twist.
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