GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Film round-up: October 13, 2022
Maria Duarte reviews of Emily, Rosaline, All Is Vanity, and Halloween Ends
Emma Mackay as Emily Bronte in Frances O'Connor's Emily
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Emily (15)
Directed by Frances O'Connor
★★★
ACTOR turned director Frances O’Connor's debut feature is a haunting and visually arresting reimagining of the life of Emily Bronte, whose one and only novel Wuthering Heights is considered a literary classic.
Emma Mackay (Death on the Nile and Sex Education) is absolutely mesmerising as Emily who is full of contradictions — shy yet rebellious; quietly opinionated yet demure — who expressed her passions and yearnings through her poems and writings.
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LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire
The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End