MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Film round-up: February 15, 2024
Hideous violence, food porn, funk legends and incomprehensible trips; MARIA DUARTE reviews The Promised Land, The Taste of Things, Getting it Back: the story of Cymande, and Eureka
FUNK LEGENDS: The return of Windrush generation band Cymande
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
The Promised Land (15)
Directed by Nikolaj Arcel
★★★★
IN 1755, an impoverished war hero aims to conquer and cultivate the harsh and barren Danish heath in the name of the king in exchange for a royal title and a manor in this slow-burning yet brutal period drama directed and co-written by Nikolaj Arcel.
Mads Mikkelsen delivers another searing performance as the brooding Captain Ludvig Kahlen, the illegitimate son of a wealthy landowner and his housemaid, who is determined to obtain what was denied him by birth.
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