GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
This Figaro hits all the right notes
An excellent production that brings out all the class and gender issues as well as offering an impressive staging, writes JOHN GREEN
Alison Rose and the female members of the ENO Chorus
[Alastair Muir]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
The Marriage of Figaro
English National Opera
London
Mozart’s most revolutionary comic opera tackles traditional gender roles and class society. But packages it in scintillating orchestral writing and vocal fireworks. It is based on the play by Beaumarchais first performed in 1784. At the time the play was banned in Vienna due its subversive subject matter.
As a result of the ‘#MeToo’ movement, situations where wealthy and powerful men sexually harass women have become a key issue, so Mozart’s 200-year-old opera is as relevant as ever.
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