To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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A Fascist with a moral compass - who knew?
The Star's critic MARIA DUARTE is moved by a real-life story of rescue at sea that upturns easy assumptions about political motivations in times of war
DO THE RIGHT THING: Pierfrancesco Favino as the remarkable Salvatore Todaro
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If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
The Commander (15)
Directed by Edoardo De Angelis
ON the night of October 16 1940, during its first Atlantic patrol off the island of Madeira, the Italian submarine Cappellini sighted the Belgian steamer Kabalo carrying aircraft spare parts, and after unsuccessfully firing three torpedoes, sank her with its deck gun.
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