There have been penalties for those who looked the other way when Epstein was convicted of child sex offences and decided to maintain relationships with the financier — but not for the British ambassador to Washington, reveals SOLOMON HUGHES

HOLLYWOOD ACTOR Will Smith’s entire career is now defined by a slap that was seen and heard around the world. At this year’s Hollywood Oscars ceremony Smith, in the judgement of his critics, crossed a line by engaging in this act of violence against comedian and host Chris Rock over the latter making a joke at the expense of the former’s wife, sitting next to him in the bejewelled audience.
It’s worth noting that many of these same outraged liberals, aghast with dismay over a face slap, have been extending themselves in agitating for World War III with Russia over Ukraine these past few weeks.
Anyway, taking a broader view, the degeneration of the Oscars into something akin to a slap (pun intended) stick comedy, mirrors the degeneration of Hollywood as the world’s pre-eminent engine room of culture, entertainment and ideas, which in turn mirrors the fading global hegemony of the US itself.

Mary Kom’s fists made history in the boxing world. Malak Mesleh’s never got the chance. One story ends in glory, the other in grief — but both highlight the defiance of women who dare to fight, writes JOHN WIGHT

The Khelif gender row shows no sign of being resolved to the satisfaction of anyone involved anytime soon, says boxing writer JOHN WIGHT

When Patterson and Liston met in the ring in 1962, it was more than a title bout — it was a collision of two black archetypes shaped by white America’s fears and fantasies, writes JOHN WIGHT

In the land of white supremacy, colonialism and the foul legacy of the KKK, JOHN WIGHT knows that to resist the fascism unleashed by Trump is to do God’s work