SOLOMON HUGHES recommends Sunjeev Sahota’s recent novel set in a trade union election campaign for its fresh approach to what unites and divides workers, but wishes the union backdrop was truer to life
Scotland’s observatories teach us to see in the dark
In June a major centre for stargazing in Scotland burnt to the ground, reminding us of the importance of making knowledge accessible to everyone, write ROX MIDDLETON, JOEL HELLEWELL and LIAM SHAW
Morning Star international editor ROGER McKENZIE says Trump’s ceaseless belligerence is a desperate effort to prevent the emergence of a multilateral world
Don’t dismiss Lebanon as a side theatre of this war, warns SEVIM DAGDELEN — there are signs Israel has expansion in mind, and it has demonstrated its willingness to expel and kill whole populations
The media present Starmer as staying out of Trump’s war — but we’re already deeply involved in a conflict that sees the US and Israel kill civilians on a huge scale, argues IAN SINCLAIR
LINDA PENTZ GUNTER reports on this week’s conference unveiling the findings of the Gaza Tribunal established by Jeremy Corbyn
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
GAZING at the stars has been the source of inspiration for poetry, fortune-telling and mapping since prehistory.
Although now divorced for most people from the act of stargazing, the origin of much of modern science, and much cultural practice, from horoscopes to religion, lies in the observation of the positions of stars and planets.
These features of the night sky, since there have been humans to wonder at them, have inspired and informed us forever.
Similar stories
Peter Mitchell's photography reveals a poetic relationship with Leeds
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
JESSICA WIDNER explores how the twin themes of violence and love run through the novels of South Korean Nobel prize-winner Han Kang