WILL STONE fact-checks the colourful life of Ozzy Osbourne
Global Routes with Tony Burke: May 20, 2022
Seminal 1970s recordings by Gabon’s Orchestre Massako reissued
Jean-Christian Mboumba Mackaya (aka Mack-Joss) fronted Gabon’s Orchestre Massako from 1971
[Analog Africa] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
JEAN-CHRISTIAN Mboumba Mackaya (aka Mack-Joss) fronted Gabon’s Orchestre Massako from 1971 — when the armed forces formed their own band.
Aged 17, he was well known on Gabon’s nightlife scene having released the pan-African hit record Le Boucher/The Butcher.
Between 1968 and 1970 Mack-Joss and his Negro-Tropical recorded 45s at an open-air studio. In the late 1970s his Studio Mobile Massako was built and he would fly to France, with the master tapes in his hand luggage, press the records and ship them back to African distributors.
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