Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
An examination of the way apartheid tore at the heart of human relations
Two of Morning Star’s theatre critics take distinct views of the musical that charts the life of one of the world’s greatest and best loved freedom fighters
(L to R) Michael Luwoye as Mandela, Danielle Fiamanya as Winnie Mandela
[Helen Murray]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Mandela
Young Vic, London
★★★
by PETER MASON
MANDELA was a name shared by two people — Nelson and Winnie — and this new musical takes that historical and emotional link as its point of reference.
Similar stories
MARC WADSWORTH reports from the meeting to commemorate the Sharpeville Massacre 65 years ago
BOB NEWLAND recommends an outstanding study of how images have shaped narratives of identity, resistance and power in South Africa
MARY CONWAY admires an accomplished drama that explores the consequences of a fatal punch on a desolate housing estate
MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence