MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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The electronic music fest returns with abundant and gripping surprises
DAZZLING: Caterina Barbieri and friends
[Neil Gardner] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
Re-Textured
Southbank’s Queen Elizabeth Hall and Printworks, London
LONDON’S electronic music festival set in brutalist buildings around the capital got off to a grand start on its launch in 2019.
Finally returning after a two-year pandemic-influenced delay, the festival has been pared back somewhat to just three events, but its vision to showcase some of the most unique experimental electronic artists out there is still very much intact.
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