GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Edifying entertainment
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
INNOVATION: High energy duets that are mixed with chorus lines of comic performance in Pam Tanowitz's Or Forevermore
[Tristram Kenton]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Encounters: Four Contemporary Ballets
Royal Opera House
THESE four innovative contemporary ballets explore the human condition, in very different ways, through movement.
Choreographer Kyle Abraham, who founded AIM – a dance company with a mission to create work about black and queer history and culture – introduces the quartet of dances with The Weathering.
First staged in 2022, eleven dancers capture the joys and sorrows of love and loss to composer Ryan Lott’s moving score and Dan Scully’s golden-washed lighting, with paper lanterns dotting the stage.
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