MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion

Dracula
Alhambra Theatre, Bradford
THERE ought to be plenty for the audience to sink their teeth into with Touring Consortium Theatre’s adaptation of Dracula.
The company has updated Bram Stoker’s gothic classic with a nod to Hammer Horror camp, with solicitor Jonathan Harker being offered blood-like soup upon his arrival in Transylvania and his schoolteacher fiancee Mina complaining of “slight toothache” after falling victim to the Count.
It also draws on female empowerment, with the aristocratic Lucy Westenra (Jessica Webber) recast here as a sexually liberated young woman. Psychiatric hospital patient Renfield (Cheryl Campbell) is somewhat surreally shown giving birth to Dracula and the Count’s brides demonstrate their hunger through an expressive physical-theatre scene.



