To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Don't put your daughter on the stage, Mrs Nugent
GORDON PARSONS is filled with unease by the RSC’s offering of a brutal fairytale for Christmas
Nikki Cheung as Karen in the Red Shoes
[Manuel Harlan]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
The Red Shoes
The Swan Theatre, Stratford-upon-Avon
THE RSC are taking no chances with the venue for their Stratford Christmas show this year.
Hans Christian Anderson’s gruesome fairy tale is as grim as any of those of the famous Brothers.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity