MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
Cubism, The Scottish National Gallery of Modern Art
Paintings which changed the way in which we look at the world on show in Edinburgh
POTENT: (Left to right) Lyubov Popova: Painterly Architectonic, 1916; George Braque: Le Bougeoir (The Candlestick), 1911; Robert Delaunay: L’Equipe de Cardiff (The Cardiff Team), 1922-23
George Braque: Le Bougeoir (The Candlestick) © ADAGP, Paris and DACS, London 2018
[Antonia Reeve] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
THIS compact exhibition packs a potent aesthetic punch. All the principal Cubists are represented, with work that allows a full appreciation of the movement that shook and shaped 20th-century art in all its diverse strands.
With the world in rapid flux, Cubism burst onto the scene around the turn of the 20th century. It challenged established but tired post-Renaissance canons with canvases that communicated simultaneous viewing of the subject from different perspectives.
More from this author
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
