STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Crime fiction with Mat Coward: January 22, 2024
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
FIRST LIE WINS by Ashley Elston (Headline, £14.99) is set in small-town Louisiana, where among the local elite every tiny indicator of social class is picked over as studiously as the results of a CAT scan.
Evie Porter is struggling to fit in. She’s moved in with Ryan, who is as handsome as he is rich, well respected and well connected. She can’t pretend that she’s from the same moneyed background as he and his friends are, but she does have to find some way of making them all like her. It’s a matter of life or death. And the fact that there’s no such person as Evie Porter is just another complication.
This is a churningly exciting scam thriller, a great heart-starter for the dark new year.
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