Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Clone comics keep abreast of Parton
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
DollyWould
Live Art Bistro, Leeds
AMONG other things, Dolly Parton is famous for her mammary glands — so much so that Dolly the sheep was cloned from a mammary gland cell and was named after the country star.
In tribute, Dolly fans Louise Mothersole and Rebecca Biscuit, cloned in matching denim shorts and hybrid human-sheep blonde wigs, spend half of this show wearing pink vests that have two holes from which their nipples protrude.
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‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
A manifesto for change, feminism in the digital age and a wordless play by Palestinians
PETER MASON suspends his disbelief and disappears down a rabbit hole on the London Tube
SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged