To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Childish insights, seeing red with Godden and gothic depths from Blakemore
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
BILLY CHILDISH’S aesthetic is not one I share but that he’s true to this aesthetic is something I admire. I wasn’t much of a Fall fan but liked that they were doing their own thing. Billy Childish has been doing that with poetry for decades “because/i can’t spell/and/refuse to show off/with cheap tricks” his poem i am the un corrected states.
Doing his own thing: Billy Childish
His book the uncollected from Tangerine Press brings together 40 years of his poems.
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ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
ALAN McGUIRE welcomes a biography of the French semiologist and philosopher