Role-playing: Eva Magyar (centre) as Charlotta
[Jon Rowley]
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
JONATHAN TAYLOR is fascinated by the philosophical problems that permeate the art of life-writing
GORDON PARSONS steps warily in between the lines of Britain’s most famous diarist
SIMON DUFF recommends a recording of Arvo Part that takes the listener on a pilgrimage through seemingly distant times and events of the Bible
The Cherry Orchard
Bristol Old Vic
IF YOU are hoping to reconfirm expectations of a lyrical turn of-the-century masterpiece, where inevitable social upheaval on a provincial Russian estate mirrors the mood of the passing seasons and elegiac sentiment prevails, this production of The Cherry Orchard is likely to disappoint.
Director Michael Boyd has worked with Rory Mullarky to produce a fresh, vibrant translation of Anton Chekhov's play, giving it a far more contemporary resonance, while Tom Piper’s in-the-round stage design makes the audience a key element. This is very much a production about performance and communication or, rather, its absence.
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
