STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Youthful determination
Lise Leplat Prudhomme excels in her second outing as the Maid of Orleans, says MARIA DUARTE
Lise Leplat Prudhomme as Joan of Arc
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
Joan of Arc
Directed by Bruno Dumont
WHAT is it about Joan of Arc that instils such passion and obsession?
Hollywood legend Ingrid Bergman, apparently obsessed with “the Maid of Orleans,” played her both on stage and screen twice, while French film-maker Bruno Dumont returns with this, a sequel to Jeannette: The Childhood of Joan of Arc – which explored Joan at the age of eight through song and music.
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