MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Theatre: Wise Children, HOME Manchester
An adaptation of Angela Cater's novel is a memorable love letter to theatre and Shakespeare in particular
Joyous: Wise Children
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
IT’S a wonder that it’s taken so long for Angela Carter’s 1991 novel to be adapted for the stage. It’s been well worth the wait.
Director Emma Rice has brought all the trademarks associated with her previous troupe Kneehigh to this first production for her new company Wise Children, with bawdy comedy, song, dance and puppetry that’s unafraid to address heavyweight subjects and emotions.
Taking sections of dialogue directly from Carter’s novel, the play follows the fortunes of identical showgirl twins Dora and Nora Chance through a series of flashbacks. Narrating their own story, they reinvent versions of themselves as themes of class, incest and the role of the father come to the fore.
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